Quartal Triads For A Coltrane Sound

Transcript

my humble attempt at conceptualizing into a logical system for melodic application of the pentatonic scale, by taking apart pentatonics in smaller, consecutive 'quartal triads' or 3-note quarter-based melodic cells for a Coltrane sound, and how to work those into arpeggios, lines; for non scalar, non triadic sounding improvisation with a distinct quarter and pentatonic sound over simple I IV V structures (or dorian modal).